“Portland-based trio Cleveland Steamers are one hell of a group; musically and topically united, the recently-formed trio of Hip Hop veterans showcases a collective craftsmanship, versatility, knowledge and humor that is sorely lacking in the current maelstrom of get-rich-quick “artists” who couldn’t distinguish Ed O.G. from Special Ed. With two MCs (Gen.Erik and Mic Crenshaw) and a DJ (Aero) handling the lion’s share of mic controlling, scratching and boardwork, Cleveland Steamers can’t help but remind me of the good ole days, when being Hip Hop meant being multi-talented (remember the 4 elements anyone?!), original (as in fresh, dummies), and confidently self-assured (a genuinely believable self-assuredness built up over many years and based on endless practice and performances, not just vain cockiness and pipe dreams, like today’s youngins). On “Treasure Chest,” then, the album title is more telling than the nom-de-plume and the artwork—there are indeed plenty of rare and valuable jewels to be found inside.
…many hilarious and spot-on details Gen.Erik and Mic C. throw into the stew, such as scathing impersonations of greedy-but-stupid MCs and ubiquitous corporate radio DJs. In addition, they showcase a level of self-awareness that’s pretty refreshing (last line of above song: “writing a song about rap clichÈs/ that’s just another rap clichÈ!”). In addition, they use the also-hilarious “Undergroupies” to shit on drunk girls at shows in a viciously candid yet still self-depreciating manner. Finally, CS save their biggest load for our commander in chief, on the ingeniously-sampled “The Decider,” in which DJ Aero scratches in numerous ridiculous and heinous “Bushisms” while the two MCs verbally taunt him in between. Seriously, with a president this goofy and incompetent, ridicule through exposure is much more effective than any angry tirade could hope to be.
…CS drops plenty of hot material that hits straight to the, ahem, chest. The guest artists, ranging from producer Mic Q to Rhymesayers’ always-killer I Self Divine, are uniformly dope and are used as they should be—to enhance the flavor of the main course. Whether it’s the deliciously fleshed-out party jams “The Groove” and “Rock That Shit,” the introspective and political musings of “It’s Been Alone,” or the purely celebratory bangers “Day by Day” and “Skull Bone,” CS know how to bring it like the veterans they are. On “Treasure Chest,” they master many styles, showcase nuance both lyrically and sonically, and bring a relevance and topicality to the game that’s sorely lacking in these troubled times. And it’s all delivered in a way both serious as cancer (in their approach to complex issues and love of Hip Hop), and coolly mischievous (indicating their ability to not take themselves too seriously). I could get specific as to the reasons most tracks bang, but that might take up too much of your precious time (unless you’re at the office like me trying to waste time, in which case I should have written more!)… I suggest you get to your online/local store of choice and prepare to be Steamed on.”
-www.rapreviews.com
“Hip-hop wise, you won’t find a more sly excoriation of our dear President than on “The Decider,” the potent track off of the Cleveland Steamers’ intriguing debut Treasure Chest. When the soundscapes do rise to the word bending capabilities of emcees Mic Crenshaw and Gen.Erik, the results are quite pleasing. …clever numbers like the aforementioned Bush-basher. Doomsday horns and a sinister bassline punctuate “The Decider,” as quotables from Dubya are interspersed throughout. His famous declaration, “I’m the decider” is scratched into the chorus. It’s quite chilling, really.
Strident horns make “The Groove” an amiable delight. This time the Pacific Northwest crew is joined by Boom Bap Project’s Nightclubber Lang, who takes the award for best rap moniker. The minimal, old school leaning Skull Bone is club worthy, despite its indecipherable hook: “Put your skull bone, jaw bone/next to your gall stone/leave you with no earth to fall on.” Apparently dismemberment makes for good party music. …“It’s Been Alone” (is) infused with some vintage boom bap, in the spirit of the Beatminerz.
Speaking of beats, these emcees have the ability to devour them, especially frontman Mic Crenshaw, an award-winning slam poet and Sen Dog’s doppelganger. This alliterative, rhyme animal likes to get his Noam Chomsky on: there’s a diversity of perversity and delusion/adversity in the churches, schools, mosques/synagogues and universities. His partner Gen.Erik capably goes multi-syllabic…
…this talented crew deserves Skittles for offering social commentary that is informed and on-target. The Cleveland Steamers are quite capable of making the kind of hip-hop that even non-coprophiliacs can enjoy. Now about that name…”
-www.okayplayer.com
“…eclectic instrumentally-stacked production, hard-hitting flows and socially conscious and heavily-charged lyrics with which I can’t seem to stop singing along…
While pretty much every track of this album bumps in one way or another, whether through quality production or the interestingly-unique trading of flows and lyrics between the two talented yet diverse emcees, the stand-out song on the album is “The Decider,” a ridiculously creative track in which the emcees trade lyrics back and forth with sound clips from George W. Bush. Bush’s verses consist of a combination of Bush-isms, lies he has told over the past six years, and other stupid-ass shit he has said while in office… I’ve always believed that good conscious hip-hop can bring you closer to the truth, and the Cleveland Steamers’ “Treasure Chest” is another great example of hip-hop that serves to educate, inform and question the things around us. I’d highly recommend checking it out … you just might learn something.”
-www.hiphoplinguistics.com
“These guys are ready for next-level status.” -www.musicforamerica.org
“The lines are delivered in stark verbal contrast to one another, but it’s the interplay between Crenshaw’s inflective baritone and (Gen.)Erik’s natural, front-free flow that makes the Steamers’ sound so engaging… lyrically compelling throughout…” -Willamette Week
“…the latest project from Portland hip-hop favorite Mic Crenshaw is his most incisive and enjoyable yet. “ -Oregonian
